Mary Lou Williams, Pianist-Composer-Arranger, was one of the few musicians who played through all the eras in the history of jazz. I was blessed with the opportunity to study with her from September 1979 into March 1980 while she was teaching at Duke University, in Durham, North Carolina. Although I came to the conclusion while there that I simply wasn't obsessive enough to want to practice all day every day and play all night every night (as this was what seemed called for if one was serious about living the music), the opportunity to learn from and briefly get to know one of this century's most extraordinary musicians was among the greatest gifts I will receive from life. Never well-known to the general public, she was a "musician's musician". She worked with and was known and loved by a large majority of the people who created the unique American art form called Jazz, or as Duke more accurately put it in his resplendent autobiography,
You probably heard of the word `jazz.' It's all right if that is the way you understand or prefer it. We stopped using the word in 1943, and we much prefer to call it the American Idiom, or the Music of Freedom of Expression.
Music is My Mistress, p.309
Herein is presented a growing collection of material regarding this quintessential Giant of Jazz.
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History Of Jazz
by
Mary Lou Williams
1979
- Swinger with a Mission, by Catherine O'Neill, Books & Arts, 12/7/79
- Mary Lou Williams Discography
- "I play all styles, everybody should. It's all great"
1978 interview excerpt at Keystone Corner
- Mary Lou Williams In Her Own Words
Melody Maker Interview, 1954
- Mary Lou Williams --
Pianist, Composer, Arranger And Innovator Extraordinaire
- from ratical roots:
studying with Mary Lou & initially exploring her music
- Transcriptions - Segments or Complete Songs - of Mary Lou Williams' Recordings
- Dirge Blues (1978, 1964)
- No Title Blues (1978)
- J.B.'s Waltz (1978)
- Blues For Peter (1978)
- Baby Man (1975)
- Syl-o-gism (1974)
- Rosa Mae (1974)